So far, zero drowned dogs.
Instead, November is the start of lots of new projects for me. Not least because November brings with it my birthday and my own private calendar flips back over to the first page. And this year November is flush with new and exciting dates.
POET-IN-RESIDENCE AT THE BRISTOL POETRY INSTITUTE
Room G11, 3-5 Woodland Road, Bristol, BS8 1TB. 12th November – 12th December 2014.
Tomorrow marks the beginning of my residency at the Bristol Poetry Institute at the University of Bristol.* I am excited to be starting a five-week workshop series with the students, where we will be reading and talking about the materials of poetry, the specifics of site and the role of memory and method in writing practices. Alongside the workshops, I am also hosting one-to-one consultation hours to work closely on the students’ own writing and I’m really looking forward to what Bristol can bring to me. Let’s go!
*I’m afraid I must also add that this workshop series is restricted to students of Bristol University.
(THE POND, TOO—THAT IS ANOTHER POEM, FOR ME): A READING WORKSHOP
for Art Writing Writing Art
Room G5, 3-5 Woodland Road, Bristol, BS8 1TB. Monday 17 November 2014, 12.30pm – 2pm.
After my performances in Bristol University’s Goldney Grotto for the Bristol Biennial this September and to complement my workshops at the Bristol Poetry Institute later this term, I am so pleased to have been invited to host an open seminar for Art Writing Writing Art, a discussion and research group at the University of Bristol. Both students and the public are very welcome and I think it would be excellent to get everyone in a room together. I’m going to be asking us to think about how we use the term ‘site-specific’ within contemporary poetry, but more intriguingly, the event is being billed as ‘part reading group, part participatory writing event and part practice-makes-perfect’. Phwoar. Let’s do it. Bring a pen.
* The title of this seminar is taken from Ian Hamilton Finlay’s letter to Ernst Jandl (1965)
The Clove Hitch and Camarade at Interrobang Festival
The Betsey Trotwood, Clerkenwell, London
Saturday 22nd November
I am reading twice! twice! nice! at Interrobang this Saturday 22nd at The Betsy Trotwood Pub. First with the excellent Eley Williams‘s round up of prose poets THE CLOVE HITCH at 5pm and then at 8pm to talk woodwork and driftwood and workdrift with Zelda Chappel for Camarade.
Eco and Nature Shuffle at the Poetry Cafe
22 Betterton Street, London WC2H 9BX
Saturday 29th November
This is pretty exciting. I’m joining the awesome Harry Man, Tom Chivers, Karen McCarthy Woolf, Inua Ellams & Gale Burns to read at the Poetry Cafe in Covent Garden. Starts at 7pm.
Three Pollards, oil on panel, 2004, Julian Perry
ARBORETUM: Creative Writing
at the Royal West of England Academy
RWA, Queen’s Road, Clifton, Bristol, BS8 1PX. Tuesdays, 13th January – 3rd March, 6.30pm-8.30pm
This one doesn’t start until January, but booking starts today! I am absolutely thrilled to have been asked by the Royal West of England Academy in Bristol to create a creative writing course to tie in with their spring exhibition, Arboretum. Taking place in the main gallery itself, the course will be rooted in the show’s collection of paintings and sculptures of trees. Each of the seven workshops will take writers through from first bud to final whittling, through all the cutting and swailing of making a good piece of writing. I am so excited (and not just by the opportunity for arboreal puns).
And! Finding new ways to get lost in the woods with me are three incredible guest tutors: poet Rachael Boast, short fiction writer Tania Hershman and art writer Rowan Lear who will each be hosting one seminar each. With three such prize-spangled specialists holding seminars in between my workshops, writers can branch out, taking new directions in their writing. There’s always use in finding the wrong end of the stick. OKAY, OKAY. No more tree jokes.
For now. More information, including schedule and booking is available via RWA.