It’s been a year since my year with the Jerwood / Arvon Mentoring Scheme came to an end and here’s another year, hi there! hup! you go onto the pile. It feels like a good moment to look back on a meeting I had at the end of last year when I was asked by a publisher where they might find more of my work and I pointed to a bulge in the carpet and received a look so withering that I sat down on the bulge in the carpet as if to insist it was comfortable and so practical. I decided to stop hoarding and send some work out.
So now let me point to the windows and the places you can now find more of my work.
In August, my slide / poem, ‘JETS OF FIRE’, was included in the first issue of para·text, an unbound, hand-embossed publication produced by Laura Elliott and Angus Sinclair. It’s a beautiful thing. Poems are delivered in an envelope closed with string while all paratextual matter – poets’ names, bios, notes – stays online in an index. My lantern slide, a long exposure of fires burning in northern Iraq’s oil fields, taken at dawn in 1932, is positioned over the page from its poem, written to the same dimensions of the slide. It’s indexed as oo1.1 and you can see it laid out here by Sal Randolph reading in Brooklyn.
— Sal Randolph (@salrandolph) November 3, 2015
para·text has just closed its submissions window for a second issue so look out for that when it lands.
After this, a little rush of poems appeared in the autumn, starting with ‘Brake Lights‘ in The Clearing, a gorgeous online journal published by Little Toller Books. A numb box of prose about cloves and teeth, ‘Avulsion’, turned up in Ambit 222 and a longer sequence ‘Caddisfly’ crept into The Rialto 84. A prose poem full of noise and phosphenes, ‘Total Destructive Interference’ appeared in Poetry Wales 51.2 and just this week ‘Charm Against Wednesdays’, ‘Deep Field’ and ‘From What I Remember‘ were included in The Junket Issue XVI. And February, unbelievably, saw my poem ‘Deepwater‘ find a home in Poetry magazine.
— Holly Corfield Carr (@hollycorfield) February 17, 2016
I was also invited to contribute to the Poetry Foundation’s Reading List and, while I am burrowed two years deep into my PhD in site-specific poetry, View-Masters and caves (jks! but actually no really some of this is true), everything I am reading is a kind of cave, another cave and then criticism. So I also send thanks in my Reading List to Jen Hadfield for providing opportunities to read about daylight and puffballs.
Squinting ahead, then, I’m currently writing a poem for 1814 for the For Every Year project and, excitingly, I’ve just started reviewing for frieze, with my first couple of pieces in the upcoming April issue. My poem ‘Loxodrome’ will also be in Eyewear’s anthology The Best New British and Irish Poets 2016 alongside poems from those beautiful people Ian Dudley and Debris Stevenson, scoring a hat-trick of the Jerwood / Arvon 2014/15 poets (ah! what’s that? a little weather rains on my cheek) and ending things as they began.